The Auction Test:

Reflecting on investigating audience reception of artworks through silent auctions.
July 2021

   Over the last seven years I have learned to view the application process as a glass ceiling and deterrent for individuals without professional artist and exhibition statements, documentation or previous exhibition experience. I, like many artists, became infuriated with the process and it's of lack clarity with regard to denials.

    So, me being myself, I wanted to investigate that system. It felt like a gatekeeper for an audience that might want to meet me. I had been hoping to introduce myself, eventually. However, I wanted to speak directly to their audiences, circumnavigating the process entirely. I wanted to be sure I was wanted in the space and if what I was creating would meet someone new that would help to fund the continuation of that work.

    I submitted two works to two silent auctions, two years ago. I needed to give myself an ultimatum on how much I was investing in investigating different mediums. I told myself, "If either one does not sell, I will discontinue that practice for the time being."

    The events happened on Thursday and then on Friday. On Thursday, the print sold. The next day, someone stood in front of my piece to make sure they won it. Both instances were heartwarming and reaffirming.

    This year, I expanded upon the concepts and ideas incorporated in the previous works. Both artworks sold.

    This is not a knock at either institute as they both have provided opportunities for my success in the past. It's simply to highlight the need for more spaces for art to be made visible.

    Sometimes the things that get rejected, if accepted, could change someone's life. Which is why I am so committed to the idea of intersectionality of community, because so many people just need a light to be shone on them for only a moment.